A prodigy who made her concert debut at the age of 9, de la Salle has developed in her 20s into a musical thinker of impressive weight, with charm, imagination and a dazzling technique. Pedaling sparingly, de la Salle’s well-honed technique permits her to negotiate Rachmaninov’s vertigo-inducing runs, rapid chords, and cruel jumps in the sixth and ninth Op. 33 and Op. 39 No. 1 Études-Tableaux with controlled legato and full-bodied tone. You could imagine added flexibility and purple passion, but the playing is beautiful Furthermore he will lead the RSNO’s residency at the Grosses Festspielhaus in Salzburg, joined by Lise de la Salle, as well as an extensive European tour with Ray Chen. In January 2022, Thomas was decorated with a Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark. Recommendations for Harmonic Mixing. The following tracks will sound good when mixed with Franz Liszt, Lise de la Salle - Ständchen in D Minor (After Schubert), S. 560, because they have similar tempos, adjacent Camelot values, and complementary styles. The complete program for NIPF Masterclass 2023 is: Wednesday 12 April, 20:00. BIJ ANDREAS. Opening concert by Nino Gvetadze, Mariam Batsashvili and Diana Ketler. Thursday 13 April, 10:00 – 13:00. BIJ ANDREAS. Celui-ci précise que Lise de la Salle fait ses débuts à l' Orchestre de Paris, mais ne dit rien de semblable au sujet de la cheffe Ariana Matiakh dont la carrière est enviable. Il en aura fallu du temps pour que cette pianiste accède au saint des saints symphoniques français. Sans doute s'est-on enfin aperçu qu'elle avait une carrière Lise de la Salle. Lise de la Salle; Dreamstage. on August 24, 2020 August 24, 2020 By Lise de la Salle. It’s been a long time since I was here. A very long time Lise de la Salle; Thank you! on August 3, 2019 June 7, 2021 By Lise de la Salle 1 Comment. It’s official! 18/19 is over! A last post before my vacations. Pianist Lise de la Salle’s dexterity and rhythmic precision are impressive from the outset with the title track, Gershwin’s ‘When Shall We Dance?’. The balance between her hands is flawlessly executed, the right-hand projecting the melody while the left emphasizes the bass in the stride-style accompaniment. Art Tatum’s ‘Tea For Two mShU9hp.

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